Sculpture — an assertion made through material.
Some works are realized and live in private spaces. Others remain as prototypes — but each is complete in meaning and form.
KODAMA
Description
A mask referencing Japanese mythology. Kodama is a tree spirit, neither seeing nor hearing, perceiving the world through the fabric of nature. The absence of eyes emphasizes the spirit's blindness and its non-human essence. This work sits at the intersection of craft, ritual, and costume.
Technical Specifications
Technology: Electroforming
Materials: Copper, leather, brass, wood
Dimensions: 470 × 310 × 250 mm
Year: 2014
Edition: Unique Piece
A mask referencing Japanese mythology. Kodama is a tree spirit, neither seeing nor hearing, perceiving the world through the fabric of nature. The absence of eyes emphasizes the spirit's blindness and its non-human essence. This work sits at the intersection of craft, ritual, and costume.
Technical Specifications
Technology: Electroforming
Materials: Copper, leather, brass, wood
Dimensions: 470 × 310 × 250 mm
Year: 2014
Edition: Unique Piece
ICEBERG
Description
The polar bear is an animal inextricably linked to the Arctic landscape. In this piece, the sculptor merges the animal's form with elements of its habitat. The texture of its fur transitions into the rugged surface of ice floes, and the lines of its body into the sharp edges of ice.
The sculpture balances between a zoomorphic image and the generalized form of a natural mass. Here, the bear is not a trophy or a character, but an element of its environment, embodied in metal and ceramic.
Technical Specifications
Technology: Electroforming
Materials: Copper, ceramic
Dimensions: 375 × 265 × 250 mm
Year of Creation: 2017
Edition: 4/15
The polar bear is an animal inextricably linked to the Arctic landscape. In this piece, the sculptor merges the animal's form with elements of its habitat. The texture of its fur transitions into the rugged surface of ice floes, and the lines of its body into the sharp edges of ice.
The sculpture balances between a zoomorphic image and the generalized form of a natural mass. Here, the bear is not a trophy or a character, but an element of its environment, embodied in metal and ceramic.
Technical Specifications
Technology: Electroforming
Materials: Copper, ceramic
Dimensions: 375 × 265 × 250 mm
Year of Creation: 2017
Edition: 4/15
ETERNITY
Description
The jellyfish is, formally, an "eternal" creature, capable of regenerating and reverting to a youthful state. But eternity is a relative concept.
In this sculpture, the jellyfish becomes an image of conditional infinity. The old man at the base is a reminder of time, the fish, of transience. Even the eternal can be destroyed by something whose life is many times shorter.
The sculpture offers not a metaphor, but a reflection captured in material.
Technical Specifications
Technology: Electroforming
Materials: Copper, brass, wood
Dimensions: 600 × 300 × 330 mm
Year of Creation: 2020
Edition: Unique Piece
Sole Proprietor Zubarev D.S. PSRN 322774600151242 TIN 775125724499